Showing posts with label differentiation. Show all posts
Showing posts with label differentiation. Show all posts

Monday, November 19, 2007

Get your creativity on!

I had a blast last week getting my creativity on at NEASIST's program on guerilla innovation in Providence, RI. My gig was to talk about the theoretical/conceptual aspects of creativity, including techniques for enhancing one's innate creativity and the need to adopt creativity as a core professional competency. I had so much fun because NEASIST members are awesome, my fellow co-presenters were terrific, and because this topic (creativity) is very near and dear to me these days. Why, you ask (and even if you didn't)? Creativity is at the heart of every new service or 'a ha' moment in libraries. Ideas begin with creative thought. If we're not thinking creatively all the time, we're missing opportunities and letting problems hang around. Creativity, or ideation, are also accepted components of the marketing process, particularly in new product development. With all of the promotional clutter and competing services we face, unique, compelling ideas keep us competitive. Creativity, unfortunately, doesn't just magically happen. It takes an organizational effort and conscious practice to foster ideas and let the good ones see the light of day. It also takes a strong stomach because creativity is inherently risky as it usually means disrupting the status quo.

So, my talk had a lot of personal and professional significance for me and it allowed me to explore another marketing avenue. You're welcome to view the PowerPoint presentation here:


Since I try not to load my PowerPoints down with text, you probably have no clue what these slides mean, which is why I'm also going to make my script available. Important Note: I use my so-called-script so that I don't forget the major points I want to make but I don't read from it! So, what you'll read is hardly a verbatim account, but it should give you a sense of how the talk went. I don't claim to be the best speaker ever, but I figured if I didn't mention this fact, you'd all be a tad horrified by what you read. :-)

NEASIST Script (PDF)

Jessamyn posted a brief account of the program on her blog, and I'll be recounting the major themes from all speakers on the Designing Better Libraries (DBL) blog. I'll also describe how to run a successful brainstorming session on DBL.

Best of luck with all of your creative endeavors!

Update: Here's an attendee's notes on the session.

Update #2: I posted my notes from the talk on DBL. I'll also feature creativity practices on DBL to help you generate lots of ideas!

Tuesday, October 23, 2007

Bringing in non-users: A report from WLA

As you may remember, I recently got back from a trip to Green Bay, WI to speak at the Wisconsin Library Association Conference. It was awesome to be back in the Midwest, and in true Midwesterner form, everyone was extremely gracious and welcoming to me - thanks, WLA!

I thought you might like to see the PowerPoint presentation I gave in my session called, "Taking the 'Non' Out of Non-User: Increase Your Library's Reach with Creative Marketing Strategies."

I'm sure some of this will make no sense out of context, but you can always drop me a note if you have questions. I would like to make a couple of points based on some of the questions from the attendees (which I'm quoting liberally here):

Q: What if you have no money to draw in non-users?
A: None of the ideas I talked about in the presentation involve a lot of money unless you're thinking about designing new services for completely new patron bases (doing that can take a lot of staff time and resources). The key things I can advise people is to talk to as many people as you possibly can all the time by viewing all of your contacts as means of learning something new, and make the most of the contacts you do have. For example, you could form partnerships with other public or private entities who can help offset costs. There tends to be a lot of goodwill out there for libraries - use it!

It's all about building relationships, and that doesn't always involve money. If you're very concerned about cost, branch out slowly. Start looking for patron needs that are related to needs you're currently filling, and then fill those needs in a slightly different way by only modifying current offerings rather than overhauling them.

Q: What's the 'big idea' for libraries?
A: I talked a bit about how important it is to approach potential new users with a sense of excitement and enthusiasm for what you represent (your library's 'big idea'). It may sound cliche but it's absolutely true: If you don't care about what you're doing, no one else will. Someone then asked me what I thought the 'big idea' for libraries is. I then proceeded, in a very bad-marketing-like way, to ramble on about libraries as creativity labs, to which my colleague responded, "I was hoping for a slogan!". I told him I had nothin'. After thinking about it for a while, I did come up with some possibilities:

  • Your ideas. Your library.
  • Build ideas @ Your library
  • Creativity counts @ Your library
  • Your library: Where good ideas grow
  • Try something new. Visit your library. [Especially good for non-users, eh?]
  • Try-on-for-size; Realize; Harmonize; Patronize your library.
  • Libraries are built with ideas. Find yours here.
Ok, so these are just some starting points, but don't you hate it when you think of things long after the situation where they'd be useful has passed?! I guess what I'm saying is that I think libraries' big idea is ideas. Unfortunately, nobody in the group had other thoughts on what our 'big idea' is. So, I ask you, daring readers: What IS the big idea and do you have a slogan to add?

Monday, July 30, 2007

Forget about being the third place. Be the first lab!

For reasons I won't bother to bore you with, today is the first day I've been able to post (or really, spend any extended amount of time on a computer) since returning from the ALA TechSource Gaming, Learning, and Libraries Symposium. This is unfortunate since the Symposium really pumped me up and gave me no shortage of library marketing inspiration. So much, in fact, that I anticipate discussing gaming and related marketing issues over a number of posts. To begin with, I'd like to share with you the over-arching message I took away from the event: Forget about being the third place. Be the first lab!

After listening to speakers like Eli Neiburger, Jim Gee, Greg Trefry, and many others, I learned that games, perhaps better than any other pursuit, build community and spark intellectual curiosity. Eli spoke about how gaming brought seniors out from their retirement homes to challenge teens to Dance Dance Revolution contests; Gee described how students who wouldn't crack open a textbook in school eagerly poured through tedious gaming guides teeming with sophisticated language for hours; Trefry told stories of how big games dramatically altered the ways in which people perceived their physical surroundings. Do you know of other media that are so transformative? I sure don't. Games and the application of gaming principles capture the essence of what libraries are all about. They engage patrons' imaginations, and allow them to play around with ideas in an interactive, risk-free format with wide cross sections of the community. In the process, gaming patrons actually construct a series of unique experiences, thereby turning the library into a laboratory of sorts.

This "community creativity lab" is where where I see libraries' future and competitive advantage. I can't think of any other free, publicly-accessible place (except perhaps for museums, which we should be partnering with), where people can come together for purposes of serious play and creative enterprise. Unlike other "third places" like Starbucks that attempt to be a home-away-from-home space, libraries are much more. They are where old and new knowledge are explored, created, and re-envisioned. Our duty is to recognize and facilitate the many varied creative pursuits of our patrons and give them the value-added spaces, resources, expertise, and community engagement to explore them in greater depth. Gaming represents one avenue for libraries to look into, but there are many others as well.

Some of you may be skeptical about the potential of gaming and libraries, which is fine. I wasn't entirely sold on it either until I understood it better. So, I will continue to analyze how gaming makes sense from a library marketing standpoint based on what I learned. My next post will address who makes up the gamer market segment and what value-added services draw them in.

Saturday, July 21, 2007

Learn to see what's not there for marketing success

I mentioned that I've been doing a bit of research and writing on the topic of differentiation. I also referenced advice from the book Zag that suggests looking for the "white spaces" or underserved/ignored markets. Now I want to share with you an outstanding article I read that identifies 6 ways in which marketers can find those "white spaces" by looking at familiar information in a new light. In doing so, organizations can find competitive advantages and new opportunities to apply their services.

The article is called "Creating New Market Space" by Kim and Mauborgne. The authors examined the marketing strategies of successful firms like Home Depot and Cisco Systems and found 6 common innovative tactics for finding what's not there. I highly recommend grabbing a copy of the article, but here is a brief outline of the main findings:

1. Look across substitute industries - Customers make trade-offs when selecting products and services. By looking across substitute industries and why customers choose option A over option B in certain circumstances, they can find new market space. The authors point to the example set by Home Depot, the company that noticed customers had 2 options for home improvement. They could either hire a contractor or buy the tools to do the job themselves. Home Depot blended these options by giving customers the knowledge, training, and sales expertise to improve their skills. As the authors put it,

"By delivering the decisive advantages of both substitute industries - and eliminating or reducing everything else - Home Depot has transformed enormous latent demand for home improvement into real demand."
2. Look across strategic groups within industries - Strategic groups in an industry as defined in the piece are groups of companies that act on a similar strategy. The authors state that these groups are usually based on price and performance. The idea here is to figure out why customers trade up or down across these groups and, like in the previous tactic, offer a unique mix of their advantages.

3. Look across the chain of buyers - This strategy involves challenging the notion of who the target customer is. To do so, it's important to know who actually uses the service versus who purchases it, and who influences these decisions. The authors state,
"By questioning conventional definitions of who can and should be the target customer, companies can often see fundamentally new ways to create value."
This point reminds me of a recent brainstorming session I led for a regional meeting of my local chapter of ACRL. One savvy participant came up with the idea of reaching out to university staff as an overlooked patron base. I admit I usually forget about this important audience, but it could be a new niche just waiting to be carved out.

4. Look across complementary product and service offerings - This is one area where I think librarians could find a lot of missed opportunities! With this strategy, marketers identify the total solution customers seek by consuming a service. The authors point to a couple of illustrative examples. For instance, they state that finding a babysitter is a hindrance to attending movies in a theater, and so theaters should concern themselves with addressing this need as it affects demand for their service. Similarly, they point to Borders and Barnes & Noble - companies that realized customers want more than just to purchase books. They want a complete book-buying experience.

5. Look across functional or emotional appeal to buyers - In this approach, marketers attempt to turn functional products into emotional ones and vice versa. The authors point to Starbucks as an example of a company that turned a functional product, coffee, into an emotional experience, which in turn stimulated much more demand. On the opposite end of the spectrum, the Body Shop stripped away the emotional aspects of its cosmetics such as packaging and advertising, leaving only its functional, all-natural products behind.

6. Looking across time - Fortunately, this tactic doesn't require a crystal ball or any special foresight. It only requires the ability to hone in on significant, clear (observable) trends that are irreversible. Moreover, marketers must be able to envision how the trend in question will change how they will deliver value to their customers tomorrow.

Seeing what's invisible and how you might fill in those gaps is a talent librarians can benefit from as they define and differentiate themselves from the many alternatives patrons have at their disposal. While challenging, this is not an impossible task. As this article demonstrated, there are concrete strategies for finding your unique niche in the marketplace, which will sustain libraries and create real value for patrons as no one else can.

Monday, July 09, 2007

And how are you any different?

Whether consciously or not, patrons are always comparing you to your competitors and asking themselves how you're different from them. They're also asking how you're better than them regarding what they care about most. Have you taken steps to stand out from the crowd? If not, you may need to give some attention to your differentiation strategy. Being different (in a good way) can give you a competitive advantage. If you don't have a competitive advantage, then you probably don't have any business being in business!

Because differentiation is so important, I chose to write a chapter on what it is and how to do it in a forthcoming ACRL publication, The Desk and Beyond:
Next-Generation Reference Services
, which is due out sometime next year. In the process of working on the chapter, I learned a lot of important stuff about being competitive and I want to share what I discovered with you all (without giving away the chapter, of course!). So, you'll be seeing a number of posts on this topic in the coming weeks.

To kick off this theme, let's first consider why librarians should worry about competing. Being competitive is not a sneaky or underhanded tactic of any kind, but simply a means finding ways to fulfill needs that have been neglected or that no one has ever noticed before, and doing so better than anyone else. While addressing these needs in the best way possible, service providers like us challenge themselves to think hard about what they do, who they're doing it for, what they excel at, and how they can creatively satisfy their target market. Being competitive then, makes service providers more useful to their customers and also more innovative. It's a healthy thing to do, which is why I encourage every librarian look at the marketplace as a game of chess where you have to think a few steps ahead of the other player and execute moves that catch him off-guard. The best competitors not only do things differently, they do things differently for the benefit of their customers. There's no point in being different for the sake of being different. Patrons have to care about those things you stand for.

In his book, Zag, author Marty Neumeier explained competitive strategy/differentiation in a very illustrative way. He noted that talented artists have the uncanny ability to see not only the space an object fills, but also the negative space it creates, which he calls "white spaces." He says that our marketplace is full of white spaces that have yet to be discovered by marketers. Your mission, if you choose to accept it, is to hunt down those white spaces and stake that territory for libraries. Librarians have so much that is unique and worthwhile to offer, but we just need to make what we do connect with patrons so that we can stand out in their minds from all of the alternatives they have at their disposal. Easy, huh? ;-)

Since I go into a lot of detail in the book about how to find your competitive advantage, I won't repeat all that here, but I will share some of the terrific stuff I've read that you can benefit from taking a look at. Stay tuned.